• Contemporary Istanbul

    26 Sep - 1 Oct 2023
  • At the 18th edition of Contemporary Istanbul, +2 presents works of four Iranian artists whose distinct styles and practices have influenced several generations of artists in the last decades. The booth includes a centerpiece sculpture by the renowned multidisciplinary artist Bita Fayyazi (b. 1962), three paintings by Rana Farnoud (b. 1953), one of the most respected painters of her generation, two canvases by internationally acclaimed Iranian artist and designer Reza Abedini (b. 1967), and two large paintings by celebrated painter Mehrdad Mohebali (b. 1960). The presentation marks Dastan’s third presence at the fair, following the solo presentation of Sahand Hesamyian in 2017 and a solo presentation of works by Shahriar Ahmadi in 2016. 

  • Reza Abedini, Overview

    Reza Abedini

    Overview
    Reza Abedini (b. 1967, Tehran) is an Iranian artist and graphic designer. He is a graduate of Graphic Design from the University of Tehran (1985) and Painting from Tehran University of Art (1992). He is also an art critic, independent art director with Reza Abedini Studio (1993) and art director at "Manzar" magazine in Iran. He lives and works between Iran, the Netherlands, and Lebenon.
    Works of Reza Abedini maintain a modern theme as he blends traditional Islamic patterns, calligraphy and culture. He combines simple illustrations with poetic typography and elegant layouts, exploring the elaborate beauty of the Persian script and language. He is know for solving the layout problem of the Persian script using a technique to break the continuous and single leveled baseline of the font and to extend the height of every visual cluster to his preferred dimension.
    Reza Abedini has been continuously working as an artist, designer, and researcher in typography, graphic design and visual arts since 1989. Living and working in Iran, Lebanon, and the Netherlands, Abedini taught graphic design at the American University of Beirut. In 2006, he received the Principal Prince Claus Award. His many achievements include the 1st prize for best film poster of Fajr International Film Festival, Iran (1993); first prize, Best Film Poster of Fajr International Film Festival, Iran (1996); first prize and gold medal, 8th International Poster Biennial of Mexico (2004); first prize, 9th Press Festival of Children & Young Adults, Iran (2005); first prize, Mexico International Poster Biennial, "Reve de Sable", Mexico (2005). He participated in the 6th Biennial of Iranian Graphic Designers, Iran (1999) and the Isfahan Contemporary Art Museum show with Azad Art Gallery (2018). He also participated in Iran's first art fair, Teer Art, represented by 009821 Projects, Tehran (2020). His last solo show, titled "Delimitation", was with Dastan (+2, 2021). He is a member of the Iranian Graphic Designers Society since 1997. He was a member of jury at several biennials. His name is listed in Meggs History of Graphic Design, as one of the world's outstanding post digital graphic designers.
  • Reza Abedini’s paintings are based on his signature blend of traditional Islamic patterns, Persian and Arabic calligraphy and type design, literature and poetry, and traditions of illustration and painting. He combines simple illustrations with poetic typography and elegant layouts, exploring the elaborate beauty of the Persian script and language. 
    • Reza Abedini, Raghsi Digar, 2023
      Reza Abedini, Raghsi Digar, 2023
    • Reza Abedini, Nazm-e Ashya, 2023
      Reza Abedini, Nazm-e Ashya, 2023
  • Raana Farnoud, Overview

    Raana Farnoud

    Overview
    Raana Farnoud (b. 1953, Mashhad, Iran) is a painter of great distinction living and working in Tehran. She received her BA in English from Tehran’s Advanced School of Translation (1975) and her Diploma in Painting from the Girl’s School of Fine Arts (1971).
    Raana Farnoud is an artist known for her versatile exploration of abstract and figurative art. She has deliberately transitioned between abstraction and figuration throughout her career, engendering a visual language uniquely her own. Her figurative work stands out both in her own body of work and among other contemporary Iranian artists. Farnoud's figurative paintings do not adhere to a representational ethos. Instead, they transcend the boundaries of time and place, aiming to create a world that goes beyond mimicry. She delves into the psyche of her characters with calm and precision, portraying internal tensions and affinities over external mien and appearances of people and objects.
    Her solo exhibitions include: Emkan Gallery (Tehran, 2016) | Etemad Gallery (Tehran, 2014) | Etemad Gallery (Tehran, 2010) | Golestan Gallery (Tehran, 2003) | Le Rayon Vert Gallery (Nantes, France, 2000-2001) | Aria Gallery (Tehran, 2000). | Aria Gallery (Tehran, 1999) | Atelier Alain Le Bras (Nantes, France, 1997) | Seyhoun Gallery (Tehran, 1996) | Seyhoun Gallery (Tehran, 1993) | Seyhoun Gallery (Tehran, 1989). Her group exhibitions are “Image of Self” (O Gallery, Tehran, 2016) | Total Art (Dubai, UAE, 2015) | Art Dubai (Dubai, UAE, 2011) | Art London (London, 2007) | “A Breeze from the Gardens of Persia, New Art from Iran” (Meridian International Center, traveling exhibition, USA 2003-2001) | International Art Expo (New York, 2000) | 9th Triennial of Lalit Kala Academy (New Delhi, India 1997) | China Art Expo (Peking, China 1997) | Tehran Museum of Contemporary Art (Tehran, 1990)She is a member of DENA Iranian Women Artists and the Association of Iranian Painters.
     
  • Over more than five decades, Raana Farnoud has experimented with a broad spectrum of techniques, themes, and styles in painting. From naturalistic representation to abstraction, she has been inspired by her surroundings, such as desert landscapes, people, encounters, and the forms within the natural environment. Her unique technique and palette often transcends her compositions beyond time and space, transitioning into a contemplative state. 

    • Raana Farnoud, Untitled, 2023
      Raana Farnoud, Untitled, 2023
    • Raana Farnoud, Untitled, 2023
      Raana Farnoud, Untitled, 2023
  • Bita Fayyazi, Overview

    Bita Fayyazi

    Overview
    Bita Fayyazi (b. 1962, Tehran) lives and works in Tehran. More than a sculptor, an installation artist, or ceramicist, engaged in some mystic relationship with her material, Fayyazi is an artist who works within a more performative and markedly social practice.
    Bita Fayyazi struggled to show her work amidst an atmosphere of stuffy traditionalism, academicism, and the influx of 1990s conceptual art. Beginning in mid-1990s, her artistic interventions challenged the official definitions of art. Works of Fayyazi are collaborative by nature. She and her artist or non-artist colleagues use whatever material is readily available to wrap and entwine, paint and cast sculptures made of the fabric of social participation. She reconstitutes the energies of the many toward an uncertain resolution. The final object becomes less important than the process – the collective doing, the love of doing – that preceded its creation.
    In addition to bringing her work to the streets and abandoned buildings of Tehran, Bita Fayyazi has also presented major installations and performances internationally. She successfully entered 2000 pieces of ceramic "Cockroaches" into Tehran’s 6th Biennial of Contemporary Ceramic Art (year???). She cast and fired terracotta dogs ("Road Kill", 1998), modelled on dead dogs found on the highways of Tehran, and then placed her works on the streets around the city, much to the consternation of onlookers. She participated in the Iranian Pavilion at the 51st Venice Biennale (2005). She has exhibited at La Maison Rouge (Paris, 2016), Espace Louis Vuitton (Paris, 2008 and 2010), the Museum of Modern Art (Freiburg, 2007) and the Pergamon Museum (Berlin, 2008), among others.
  • In the work of Bita Fayyazi, while consistently contributing to structure and form, materials often become lost in the artist’s web of imagination and confluence. Each decision can be rethought and reformed, and in this process, layers are buried under each other as though fossils are entrenched within a rock's layers. Sometimes, the underlying materials leak out to suspiciously explore their unfamiliar environment, giving the illusion of breathing forms to her work. 

    • Bita Fayyazi, Beautiful Creatures, 2023
      Bita Fayyazi, Beautiful Creatures, 2023
    • Bita Fayyazi6
  • Mehrdad Mohebali, Overview

    Mehrdad Mohebali

    Overview
    Mehrdad Mohebali (b. 1960, Tehran, Iran) is a Tehran-based artist. He graduated in Painting from the University of Tehran.
    In works of Mehrdad Mohebali, usually done in large formats, people are excuted in a manneristic fashion. His early surreal scenes gave way to portraits of familiar political figures and scenes from art history next to those of the painter and ordinary people. His use of intense colors, lighting, and the poses of his subjects imbues his works with affectations and distortions.
    His work has been exhibited in solo and group exhibitions in Iran and internationally; including at the Lajevardi Foundation in Tehran (2016), the 2015 Venice Biennale, the Salsali Private Museum in Dubai (2012), the Tehran Museum of Contemporary Art (2004 and 2001), and the Tokyo Museum of Contemporary Art (2002).
  • In his paintings that resemble a fragmented and broken-down narrative expressed through several perspectives, Mehrdad Mohebali looks at society and each individual’s roles and explores the contrasts between classical and modern. His compositions isolate the subjects and place them within a context that intrudes into their individuality and highlights their lack of belonging.

    • Mehrdad Mohebali, The Thing, 2023
      Mehrdad Mohebali, The Thing, 2023
    • Mehrdad Mohebali, Seven Sisters, 2023
      Mehrdad Mohebali, Seven Sisters, 2023
  • "Encounter" 

    Courtesy of the Artist and Dastan Gallery 

    Video by Alborz Kazemi