• Frieze London 2023

    11–15 October, 2023
  • At Frieze London 2023, Dastan’s booth will feature a diverse selection of artworks by some of the most influential Iranian artists, featuring the works of Behjat Sadr (1924-2009), Mohsen Vaziri Moghaddam (1924-2018), Reza Aramesh (b. 1970), Newsha Tavakolian (b. 1981), and Meghdad Lorpour (b. 1983).

  • Known as one of the most notable Modern Iranian painters who experimented with several media and materials, Behjat Sadr’s legacy and influence stand firmly in the present. She explored multidimensional approaches in creating layers, texture, depth, volume, and geometry in many of her paintings. The piece on display at Frieze is from Sadr’s kinetic works, combining painting with the sculptural form of Venetian blinds. Much like her paintings, the work on display presents novel techniques such as superimposition, collage, controlled yet fluid brushstrokes, the depiction of frames within frames, the separation of the outside versus the inside, the representation of movement and stillness.

  • Behjat Sadr, Overview

    Behjat Sadr

    Overview

    Behjat Sadr known (1924, Arak, Iran – 2009, Corsica, France) known as Behjat Sadr Mahallāti is among the first female artists and university lecturers of Iran. She graduated in Painting from the University of Tehran (1954). She was an active presence in the international visual art scene beginning in the 1960s. Having studied in Italy, she became interested in abstraction and created her first series of works between 1961 and 1966.

    Sadr is known for using a palette knife on canvases that create impressionistic visual rhythm, movement and geometric shapes. Black dominates a major part of her work. She uses blotches to create dynamic patterns. By placing paint directly on the surface of the work and removing paint with a knife countless times, she arrives at the familiar visual structure of her paintings. Sadr was also a photographer and known for her collages.

    Sadr was a participant at 31st Venice Biennale in 1962. Her works are part of many museum collections, like Tate London; Minneapolis; Pompidou in Paris.

  • Behjat Sadr Works

    • Behjat Sadr, Untitled, 1970
      Behjat Sadr, Untitled, 1970
    • Behjat Sadr, Untitled, 1980s
      Behjat Sadr, Untitled, 1980s
    • Behjat Sadr, Untitled, 1970s
      Behjat Sadr, Untitled, 1970s
  • Behjat Sadr | Installation Views

  • Mohsen Vaziri Moghaddam is considered a pioneering figure in modern Iranian art, revolutionizing long-standing traditions to introduce novel renditions. His paintings imagine an alternative tactile materiality on the surface and forms that seem to escape the confines of layers and borders. He deployed a metaphorical approach and practice in expressing ‘tactility’ through his playful renditions of geometric forms and abstractions. In creating limits and edges, the artist invoked musicality and rhythm to inspire movement in the forms and, in his own words, “free them.” Much of his sand paintings are inspired by his contemplations on the desert and the playful experience of painting on sand at the beach.

  • Mohsen Vaziri Moghadam, Overview

    Mohsen Vaziri Moghadam

    Overview

    Mohsen Vaziri Moghaddam (1924 – 2018) is acknowledged as a pioneer of Iranian abstractionism and a leading figure in developing contemporary Iranian art. He studied at the Academy of Fine Arts in Rome. He was also an educator, opening the way for many to-be artists to go beyond the limits of established practices. His "Drawing Method and Painting Guide" (1981) is today’s standard academic text.

    He is widely recognized for works spanning five decades, from the painterly abstracts of the 1960s to the hard-edged geometry of the sculpted and painted aluminum wall reliefs of his later years. Vaziri’s work is characterized by a restless experimentation of form through materials -- deployed in his drawings, sand paintings, opto-kinetic sculptures, and painted aluminum wall reliefs.

    During his lifetime, Vaziri was the subject of numerous exhibitions internationally, exhibited extensively at the Venice Biennial, and was collected by MoMA (NY).

  • Mohsen Vaziri Moghaddam's Works

    Mohsen Vaziri Moghaddam's Works

  • Installation Views

  • Reza Aramesh’s series “Study of the Head as Cultural Artifacts” is an ongoing sculptural intervention on archival research images that portray the violated body. By using and responding to source imagery of war reportage, Aramesh examines the relationship between acts of violence and the history of its representation in visual culture –situating the body as a site of consciousness and as a centerpiece of the social world, not independent of reality. Carved by master craftspeople in the Carrara region of Italy under the artist’s supervision from hard-to-find pockets of remaining white Bianco Michelangelo stone in the existing historical geology, this ongoing series is continuously developed by Aramesh in his negotiation between violence and pleasure.

  • Reza Aramesh, Overview

    Reza Aramesh

    Overview

    Reza Aramesh (b. 1970, Iran) focuses on photography and sculpture. He currently lives and works in London, a city he moved to at the age of 15. He received his MFA from Goldsmiths University, London (1997).

    Working in photography, sculpture, video and performance, Reza Aramesh’s understanding of the history of art, film and literature is ever-present in his artwork. As a response to war reportage images from sources such as newspapers, online articles and social media, Aramesh takes scenes of reportage of violence out of their original context, exploring the narratives of representation and iconography of subjected body apropos race, class, and sexuality to create a critical conversation with Western Art History.

    Reza Aramesh exhibitions: the 14 Bienal de la Habana (Havana, 2022) | Muntref Centro De Arte Contemporåneo (Buenos Aires, 2022) | Pejman Foundation (Argo Factory, Tehran, 2022) | the 9th Edition of Sculpture in the City (London, 2021) | Fitzwilliam Museum (Cambridge, 2020) | Asia Society Museum (New York, 2021) | Met Breuer (New York, 2018) | SCAD Museum (Georgia, Atlanta, 2018) | Akademie der Kunst (Berlin, 2016) | the 56th Venice Biennale (2015) | Art Basel Parcours (Basel, 2017) | Frieze Sculpture Park (London, 2015 and 2017) | Maxxi Museum (Rome, 2016). He has organized a number of performances and exhibitions in such spaces as at Barbican Art Centre, Tate Britain and ICA, London. His works have entered public and private collections worldwide.

  • Reza Aramesh Works

    • Reza Aramesh, Action 240: Study of the Head as Cultural Artefacts, 2023
      Reza Aramesh, Action 240: Study of the Head as Cultural Artefacts, 2023
    • Reza Aramesh, Action 237: Study of the Head as Cultural Artefacts, 2023
      Reza Aramesh, Action 237: Study of the Head as Cultural Artefacts, 2023
    • Reza Aramesh, Action 238: Study of the Head as Cultural Artefacts, 2023
      Reza Aramesh, Action 238: Study of the Head as Cultural Artefacts, 2023
    • Reza Aramesh, Action 239: Study of the Head as Cultural Artefacts, 2023
      Reza Aramesh, Action 239: Study of the Head as Cultural Artefacts, 2023
  • Reza Aramesh’s series “Study of the Head as Cultural Artifacts” is an ongoing sculptural intervention on archival research images that portray the violated body. By using and responding to source imagery of war reportage, Aramesh examines the relationship between acts of violence and the history of its representation in visual culture –situating the body as a site of consciousness and as a centerpiece of the social world, not independent of reality. Carved by master craftspeople in the Carrara region of Italy under the artist’s supervision from hard-to-find pockets of remaining white Bianco Michelangelo stone in the existing historical geology, this ongoing series is continuously developed by Aramesh in his negotiation between violence and pleasure.

  • Meghdad Lorpour, Overview

    Meghdad Lorpour

    Overview

    Meghdad Lorpour (b. 1983, Shiraz, Iran) is a painter based in Tehran. He studied painting at Shahed University, Tehran (2010).

    Throughout his career, Meghdad’s subject matter has ranged from portraiture to landscape and still life, and his analytical approach to every aspect of his work has constantly evolved. He begins with a multi-layered phase of research, which includes deep dives into related literature, travel, documentation, and recording oral histories. He continues by exploring his recollections of the research process as sketches and experiments in technique and representation. After his early focus on portraiture, inspired by Persian mythology and Miniature Painting, Lorpour soon shifted towards looking at animals in their natural habitats, contextualizing them in his research on mythological history. More recently, he has focused on nature — landscapes and the different aspects of the natural environment. The artist has been meticulously looking at nature through specific points of view and has sought to induce inner mythological layers to his settings while depicting natural scenery.

    Meghdad Lorpor's work has been exhibited in five solo exhibitions, including the Iranian Artists' Forum (Tehran, Iran 2006); Mah Art Gallery (Tehran, Iran, 2010); "Callus" (Mah Art Gallery. Tehran, Iran, 2013) "Tangab" Electric Room. (Dastan:Outside, Tehran, Iran, 2017) "Daryabar" (Dastan+2. Tehran, Iran 2018); as well as over twenty group exhibitions and international art fair presentations.

  • Meghdad Lorpour Works

    Meghdad Lorpour Works

  • Farah Ossouli, Overview
     

    Farah Ossouli

    Overview

    Farah Ossouli (b. 1953, Zanjan, Iran) is a painter working and living in Tehran. She received her BA in Graphic Design from the University of Tehran, where she taught between 1972 and 1987. She founded DENA, a female art collective that has organized over 30 exhibitions since 2001. She is a member of the Society of Iranian Painters.

    Farah Ossouli achieved a unique fusion of techniques, materials, themes, and narrations during her forty-year career as an artist. She has been a pioneer in introducing contemporary themes and ideas into miniature painting. The latest collections of Farah Ossouli are based on classical European paintings (by Delacroix, Goya, David, Manet, Titan, Rembrandt, and Ingres, among others), chosen by the artist based on their historical and conceptual relevance vis-à-vis the manifestation of violence in our world today. By transforming the medium (Persian painting) and figures (female holding the torch), Farah Ossouli is presenting the viewer with a new way of looking at the events taking place around us.

    Farah Ossouli's solo exhibitions are "Wounded Virtue" (Dastan +2, 2016) | Shirin Gallery (New York, USA, 2014) | Paul Robeson Galleries (Rutgers University, Newark, USA, 2012) | Imam Ali Museum (Tehran, 2007) | Ludwig Museum (Koblenz, Germany, 2005). Group exhibitions are “Mossavar-Name” (Dastan’s Basement and +2, Tehran, 2018) | and “Mossavar-Name” (Art Dubai, Dubai, 2018). Her works are held at major public collections including the Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Devi Art Foundation, New Delhi; Tropen Museum, Amsterdam; Ludwig Museum, Koblenz, Germany, and Tehran Museum of Contemporary Art, Tehran, Iran.

  • Farah Ossouli's Works

    Farah Ossouli's Works

  • Farah Ossouli | Installation Views

  • Newsha Tavakolian’s photograph depicts a haunting blend of sunflowers wrapped in plastic with a bluish haze, capturing a mesmerizing moment that unfolds within the confines of a delicate paradox. This image mirrors her video project, “For the Sake of Calmness” (2020), exploring premenstrual syndrome. The still piece conveys a transcendental motion, a struggle for freedom, and the complexity of human emotions.

  • Newsha Tavakolian , Overview

    Newsha Tavakolian

    Overview

    Newsha Tavakolian (b. 1981, Tehran, Iran), a Magnum Photos member, is an Iranian photographer, visual artist, and educator known for her work that captures the human condition. Tavakolian began her career in photography at a young age, eventually becoming a prominent figure in the field. Her photography is characterized by its evocative storytelling and her keen eye for capturing the delicate emotions that shape us as humans. She has covered a wide range of topics, from the challenges faced by women in Iran and worldwide to the aftermath of tensions in conflict zones. Her work often combines artistry with documentary, blurring the lines between reality and the imagined. Throughout her career, NewshaTavakolian has received numerous awards, including the Carmignac Gestion Award, the Prince Claus Award (principal laureate), and several international photo prizes. Her photographs have been featured in prestigious exhibitions worldwide. Amongst others, Tavakolian's work has found its place in the private collections of international institutions, including the Victoria & Albert Museum, the Los Angeles County Museum of Art (LACMA), the British Museum, Sackler Gallery, and the Boston Museum of Fine Art. In 2019, Tavakolian made her first short film, “For the Sake of Calmness.” She is now preparing for the production of her first feature film in Iran and Romania.

  • Newsha Tavakolian Works

    Newsha Tavakolian Works

  • Newsha Tavakolian | Installation Views